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According to old stereotypes, it shouldn't work—serious librarians should want nothing to do with the raucous, pulp world of comics—and for a long time it didn't. But over the past decade, the graphic novel genre has become one of the fastest-growing at libraries of all kinds, as a new generation of librarians adopts the category as a means to energize collections and boost circulation and patronage. more In an unusual announcement, Abrams ComicArts plans to publish a comics adaptation of renowned science-fiction author Octavia Butler's acclaimed novel, Kindred, and noted that the book will be edited by newly hired senior editor Carol Burrell, who was originally chosen to adapt and draw the adaptation herself for another publisher back in 2009. more Seattle-based Fantagraphics Books has grown from publishing only The Comics Journal, an often controversial monthly publication focused on news of the comics industry and criticism of the comics medium, into one of the foremost publishers of comics, graphic novels and related works in the world. more Michael DeForge is one of the most striking and popular talents in alternative comics, as evidenced by his two Eisner nominations this year; in conversation with James Romberger, he reveals the secrets of his intense personal world. more Walking Dead creator Robert Kirkman talks with Bob Fingerman about Minimum Wage, his semi-autobiographical comic about the lives of Sylvia and Rob in an ultra-realistic New York City, now republished, in all its hilariously demented glory, in an oversized edition called Maximum Mininum Wage, just out from Image Comics. more
In this week's podcast the More to Come Crew - Heidi "The Beat" MacDonald, Calvin Reid and Kate Fitzsimons - discuss Free Comic Book Day, comics in libraries, C2E2, the closing of Comics Alliance, the Outhouse DC Comics blacklist controversy and much more on PWCW's More to Come. More In this week's podcast the More to Come Crew – Heidi "The Beat" MacDonald, Calvin Reid and Kate Fitzsimons – discuss this year's excellent Eisner slate, Marvel marketing and Marvel Now's falling sales numbers, Saga censored... or was it and much more on PWCW's More to Come. More
Kevin Cannon. Top Shelf, $19.95 (496p) ISBN 978-1-60309-100-8 In Cannon's second full-length Army Shanks adventure, Shanks is a scarred man following the events of Far Arden. Struggling with loss and heartbreak, he is ready to buy a one-way ticket to Antarctica when developments on Devon Island change his plans: Shanks befriends a teenage girl named Wendy who is intent on raising money to join a space program in Europe, and a mysterious Siberian oil tanker called the Lunayev anchors in Canadian waters, claiming it is launching a rocket to the moon. more Sean Murphy. DC/Vertigo, $16.99 trade paper (224p) ISBN 978-1-4012-3768-4 \t This bracing tale of the Second Coming uses contemporary social issues to explore a familiar "what if?" scenario—namely, what would happen if Jesus showed up and was confronted with the corrupt, consumerist culture in which we live? In Murphy's version of this oft-posed query, a power-hungry producer of a reality television show plays a key role: he has Jesus's DNA, extracted from the Shroud of Turin, injected into an anonymous teenager whom he "casts" as the new virgin. In tracing the maturation of the new Jesus (named Chris here), the action is fast and the plotting is thick. more Taiyo Matsumoto. Viz Media, $22.99 (224p) ISBN 978-1-4215-5525-6 Eisner Award–winner Matsumoto's (Tekkon Kinkreet) newest work is a touching but sad story of the lost souls in the Star Kids children's home. When new kid Sei is dropped off by his parents, he believes they'll return for him soon. But he discovers that the other kids at the home once believed they, too, would quickly return to their parents. The home is populated with problem kids like Junsuke, a kleptomaniac; Haruo, a rebellious preteen whose devil-may-care attitude hides a soft heart; Kenji, who needs his absentee alcoholic father's permission to drop out of middle school; sensitive Megumu, who fears dying alone; and Kiko, a girl trying too hard to become a woman. more Rutu Modan. Drawn and Quarterly, $14.99 (232p) ISBN 978-1-77046-1-154 Modan (Exit Wounds) has proven to be one of the most accessible of graphic novelists, with a cinematic presentation and the ability to capture the complexity of larger human experience within smaller family dramas. Her latest work takes readers on a trip to Warsaw with Mica and her grandmother, Regina, both from Israel. Their purpose in Poland is to check on some long lost property that Regina's father owned prior to the Holocaust; she fled during the war, thus becoming the only family member to survive. The understanding that families were fractured and lives rerouted after WWII is nothing new, but the particulars provide the story here—family secrets and the measure of shame, historical and current attitudes between Poles and Jews, the changing views of cross-culture collusion when a hint of romance is involved, and the ways in which we don't so much reinvent ourselves as repurpose. more
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Upcoming Comics Events 5/11 Kids Comic Con, Bronx, NY 5/11-5/12 Toronto Comics Arts Festival in Toronto, Canada 5/11 Comics From Tahrir Square, NY, NY more
Freaks Amour (Dark Horse) Batman Incorporated Vol 1 Demon Star (DC) Prophecy (Image) Avengers Arena Vol 1 Kill Or Die T (Marvel) Mumbai Confidential Book 1 Good Cop Bad Cop (Archaia) Red Handed The Fine Art Of Strange Crimes (First Second) We Can Fix It A Time Travel Memoir (Top Shelf) Bakuman Vo.. 16 (Viz Media) | ||||||||||||||||||||||||||
| PW Comics World editors: Calvin Reid and Heidi MacDonald Assistant Editor: Matt White Panel Mania editor: Ada Price Podcast Producer and Comics Events editor: Kate Fitzsimons Follow us on Twitter at @PWComicsWeek and on Facebook. Send advertising questions about this eNewsletter to: cbryerman@publishersweekly.com For additional assistance, contact us by email or at the address below. Publishers Weekly, Copyright 2013, PWxyz LLC Email not displaying correctly? View it in your browser. You are receiving this email because you subscribed to a Publishers Weekly e-newsletter. To unsubscribe, click the link below. |
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